
Most plugins treat the whole signal as one thing. Prism doesn't. Split the audio into frequency bands and route each band through its own effect — drive on the lows, chorus on the mids, delay on the highs — with a live FFT showing exactly what each band is doing.
Pick the band split, pick the effect per band, watch the FFT show you what each band is doing, then mix it in. For anytime you want "that effect, but only on the highs" — or "saturation, but not on the bass."
Up to four user-adjustable bands, each through its own effect — drive, chorus, delay, reverb, phaser, comp, crush or filter.
Multiband compression and crush per band, each with its own attack, release and ratio. Lo-fi as a surgical tool.
Drag the band edges in the FFT view and carve each band before it sums back, with full per-band wet/dry.