
A clean sub-bass synth that key-tracks an input signal — or stands alone as a sub MIDI synth. Optional harmonic enhancement gives you the low end that still translates on a phone speaker.
Seismic lives in the bottom octave. Play it as a MIDI sub synth, or feed it audio and let it key-track to add a sub layer under anything tonal. A separate harmonic fader buys you perceived bass on small speakers without touching the real sub content.
Clean sine-based sub with optional 2nd-harmonic blend — controlled at the source, not corrected after.
Feed an input signal and Seismic tracks its pitch — layer a sub under a vocal, a synth, or a bassline.
An independent harmonic-only output for small-speaker translation that never changes the sub bus.

Bedrock makes the kick. Seismic plays the bassline. They share the bottom without fighting.

Eight melodic variants for the parts that flow under the song without fighting the vocal.

Chiptune drums on four channels — pulse, triangle and noise, each tuned to its own drum.